New York City I Framing options:Rolled canvas Nothing makes it possible to

Nothing makes it possible to recognize a view of Le Havre because Monet has evacuated all the topographic details

one of the most common landscapes in Japanese art

The painting is said to have been painted in the artist's studio

African or Cambodian Khmer statues

New York City I Framing options:Rolled canvas Nothing makes it possible toIn New York, architectural gigantism, orthogonal urbanism and frantic traffic have a strong impact on European artists exiled, like Mondrian who landed there in 1940. The work is characteristic of the artist's latest research, after his neo plastic period. Instead of black grilles, he now prefers colorful verticals and horizontals that create optical dynamism luminous. The density of blue, yellow and red intersections over the entire surface magnifies